lt;p>In the photograph titled <em>Doll</em>, a figure in old-fashioned dress appears to float gracefully in a dark, shadowy space. But as soon as the viewer becomes aware of the structure of María Martínez-Cañas’s “Lies” series (2005)—scenes of violent death distorted to near illegibility—the fanciful-seeming image is seen to depict a woman lying dead on a carpet.</p>
Photography In The Balance: María Martínez-Cañas - Maria Martínez
María Martínez-Cañas – LUAG Archive
Maria Martinez-Cañas:, Exhibitions
║ María Martínez-Cañas ║ N I H I L S E N T I M E N T A L G I A
Maria Martinez-Cañas - Associate Professor / Department Head
María Martínez-Cañas: From The States Program, Solo Show
Works by Amelia Pelaez and Maria Martinez- Cañas donated to the
Exhibition Review: Transformative Structures By Maria Martinez
María Martínez-Cañas Uses Collage to Uncover the Absences
María Martínez-Cañas Exhibit Reveals Shocking New Realm - Maria
MARIA MARTINEZ CAÑAS + ILLUMINARTS: «Todo sobre mi madre»
Maria Martinez-Cañas - Oolite Arts
Staging the Self National Portrait Gallery, Smithsonian Institution